Aside from Bookerly and Literata which were made for e-books there is: Still, I will try to give you a few that I believe are well suited for on-screen text. While I have formatted many e-books for authors it is hard to say what would be readable on an e-reader as I view all my e-books on my computer. It's the one I turn to when all other fonts fail. One thing: on a Kobo you usually have the option of 'Publisher Default' and the Kobo usually renders it in the best quality. It's sort of like a cross between Avenir Next and Georgia, which you mentioned among the ones that you weren't overly fond of. The last one I recommend is the Caecilia font. here's an example: Īnother I use often on my Kobo is Avenir Next (less elegant but nice and easy to read):
It's simple, legible with e-ink, and is not too hard on the eyes either. I know you mentioned that other sans serifs don't look good, they're usually not too bad, at least with some documents. I have a Kobo, and I've uploaded PDFs and word documents onto it, and a font that works is Times New Roman.
#Verdigris mvb pro text font free free
A free font I really liked for long text is HT Alegreya ( ), and there are some other good choices out there like HT Bitter which appears to have been designed for e-ink ( ), Merriweather ( ), Calluna ( ), Crimson text ( ), or Vollkorn ( ). If money is no object, consider FS Brabo ( ), A2 Antwerp ( ), Typotheque Lava ( ), Linotype Malabar ( ), MVB Verdigris ( ), or Klim Tiempos Text ( ). Bodoni and Bembo probably have too much contrast to render well on e-ink. I do not have a kobo, so these are only suggestions. Association Typographique Internationale.Handwriting – among other techniques – cannot. Glyphs: The symbols in a typeface that represent characters like A, ! or 5.Type: Printed or digitally reproduced glyphs.Typesetting: The act of arranging physical or digital type.Typography: The art and technique of arranging physical or digital type.Rule of thumb: If your submission is about Comic Sans MS misuse, bad keming or a funny typo, it’s likely better not to post it.ĭo not use URL shorteners. Only exception: It’s educational and non-obvious. No memes, image macros and similar submissions.No lettering, calligraphy, handwriting, graffiti, illustrations.It has that quality that all truly useful typefaces have: the capacity to get the job done without getting in the way. It is a family bound to have a permanent spot in the font menu, always at the ready for projects (those most common of all) where the typography mustn’t mask the message. MVB Solitaire aspires to be the sort of workhorse that a designer keeps installed on their system at all times. Mark built all the goodies into MVB Solitaire that he would appreciate as a user: case-sensitive punctuation alternate forms that can be invoked individually or together oldstyle and lining figures in both tabular and proportional widths slightly shorter lining figures that don’t stand out in running text, but also cap-height figures for all-cap settings and the ability to speak nearly any Latin-based language. It’s no surprise that this family’s creator, Mark van Bronkhorst, was first a graphic designer before becoming a type designer. Readers will not tire of this type.īehind the useful exterior is an arsenal of thoughtful technical features. While some “neutral” type is dead the moment the ink hits the page, MVB Solitaire delivers text that feels lively, contemporary, relevant. But practical doesn’t have to mean banal. As a tempered sans serif somewhere between a humanist and a gothic, MVB Solitaire captures a 21st-century neutrality. MVB Solitaire epitomizes this universal typographic mandate. Everything else-the fashion of the moment, the allure of individual words and letters-is secondary. But, in the end, any functional typeface worth its salt lives to serve one thing first: the text, the content.
Sure, there are frilly fonts that are more art than craft, showy faces that exist merely to call attention to themselves.
0 kommentar(er)
